Avant-Garde fashion history - 2468 Words

Context Page Introduction 2 History of avant-garde 2-3 Avant-garde in fashion history 3 Contemporary fashion and avant-garde 3 Discussion of Suzaan Heyns’ autumn/ winter collection 4 Discussion of Stiaan Louws’s 2011 autumn/winter collection 4-5 Discussion of Black Coffee’s 2013 winter collection 5-6 Discussion of Laduma Ngxokolo’s 2012 autumn/winter collection 6-7 Discussion of Thabo Makhetha’s 2012 collection 7 Conclusion 7-8 List of Illustrations 9-13 List of References 14-15 What is avant-garde and how does it fit into South African contemporary fashion design? In order for one to determine if you are for or against avant-garde, and specifically in relations to South African avant-garde, one must first define†¦show more content†¦It is also very difficult for designers to create totally new designs, for almost everything has been done before. Due to this, as a designer, avant-garde is such a difficult movement to be apart of. South African designers therefore also tend not to be a part of the avant-garde movement, but to follow the European trends and use it as part of their design inspiration. A few South African designers has accepted the challenge of designing avant-garde garments, but are they really a match for the famous and established avant-garde designers or are they simply following in the footsteps of other avant-garde designers? In case study 1, Suzaan Heyns’ 2011 autumn/ winter range is depicted. This range’s name is â€Å"die vorm†, because she drew her inspiration from the anatomy of the human body (Heyns, 2011). When one looks at the images, one can see that in some instances, continues lines are used to depict the flow and natural rhythm of the human body. Her aim was to reveal the inside of the body on the exterior of a garment, thus creating an exoskeleton (Heyns, 2011). This is evident in every design due to the different techniques that she implemented. In this collection one can also see that the muscular and skeletal systems are taken and distorted and warped to create remarkable designs. The fractural shapes in the garments, also contributes to an anatomical silhouette. Suzaan describes her collection and says â€Å"it is about inner symbolism, looking atShow MoreRelatedA Critique Of The Works Of Paul Gauguin And His Time952 Words   |  4 PagesGogh, and other post-impres sionists associated with the avant-garde gambit. With the blood of the women of Tahiti and those outside their bubble on their hands, the artists of the time attempt to establish their mark in a community by basing their works on others and altering a component of so in what Pollock refers to as an avant-garde gambit, a process still relevant in today’s culture. 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